Otra entrada que pocos leerán. Si no leímos la de Ida Kellarová, si no leímos la historia de Lekobide, el patriarca vasco, ¿cómo vamos a leer la de una figura del rock yugoeslavo de los años 80? ¿El profe se ha fumao algo o qué? ¡Y encima en inglés!
Pues ahí va:
Born in Sarajevo, PR Bosnia-Herzegovina, FPR Yugoslavia to a Croat father Franjo Bregović and Serb mother Borka Perišić, Goran grew up with an older sister Dajana and a younger brother Predrag. Their father was from Croatian Zagorje, specifically Sveti Petar Čvrstec village near Križevci, while their mother was born in Virovitica to parents that shortly before her birth arrived in the nearby village of Čemernica, settling there from the village of Kazanci near Gacko in eastern Herzegovina. Her father, Goran's maternal grandfather, fought in the Serbian Army at the Thessaloniki Front during World War I and as a reward received land in Slavonia where he soon moved his family.
Goran's parents met shortly after the end of World War II in Virovitica where his mother Borka lived and his father Franjo (who fought on the Partisan side during the war) attended a Yugoslav People's Army (JNA) military school. Franjo Bregović soon got his first job, teaching ballistics at a Sarajevo military school, so the family (which at the time only had a daughter) moved there. Goran, their second child, was born in 1950.
Goran was 10 years old when his parents divorced. In later interviews he mentioned his father's alcoholism as the reason for the breakdown of his parents' marriage. Soon after the split, his father moved to Livno, taking Goran's younger brother Predrag with him while Goran remained living with his mother in Sarajevo, visiting his father and brother every summer in Livno. Their father soon retired and eventually moved back to his home village in Zagorje while Goran's brother Predrag later moved back to Sarajevo for university studies.
Goran played violin in a music school. However, deemed untalented, he was thrown out during second grade. His musical education was thus reduced to what his friend taught him until Goran's mother bought him his first guitar in his early teens. Bregović wanted to enroll in a fine arts high school, but his aunt told his mother that it was supposedly full of homosexuals, which precipitated his mother's decision to send him to a technical (traffic) school. As a compromise for not getting his way, she allowed him to grow his hair long. Upon entering high school, Goran joined the school band Izohipse where he began on bass guitar. Soon, however, he was kicked out of that school too (this time for misbehavior - he crashed into a school-owned Mercedes-Benz). Bregović then entered grammar school and its school band Beštije (again as a bass guitar player). When he was 16, his mother left him and moved to the coast, meaning that other than having a few relatives to rely on, he mostly had to take care of himself. He did that by playing folk music in a kafana in Konjic, working on construction sites, and selling newspapers.
Spotting him at a Beštije gig in 1969, Željko Bebek invited 18-year-old Bregović to play bass guitar in his band Kodeksi, which Goran gladly accepted.
Then, in the autumn of 1971, Goran enrolled at the University of Sarajevo's Faculty of Philosophy, studying philosophy and sociology. He soon quit, however. At the same time, Milić Vukašinović left for London, so Bregović formed a band with Nuno Arnautalić called Jutro (Morning), which Redžić soon joined as well. Over the next few years, the band changed lineups frequently, and on 1 January 1974 modified its name to Bijelo Dugme ("White Button").
From 1974 until 1989, Bregović played lead guitar and was the main creative force behind Bijelo Dugme (White Button). For years they stood as one of the most popular bands in SFR Yugoslavia.
At the time Bijelo Dugme was falling apart, Goran entered the world of film music. His first project was Emir Kusturica's Time of the Gypsies (1989). This turned out to be a great success (both the film and the soundtrack). Goran and Emir's collaboration continued, and Goran composed music (which was performed by Iggy Pop) for Emir's next film Arizona Dream (1993). During the war in Bosnia and Herzegovina, Goran lived in Paris, but he also lived in Belgrade. His next major project, music for Patrice Chéreau's Queen Margot was a great success as well, and as a result, the film won two awards on the 1994 Cannes Film Festival. The next year's Golden Palm award went to Underground, for which Goran Bregović composed the music.
In 1997, he worked with Turkish singer Sezen Aksu on her album Düğün ve Cenaze (Wedding and Funeral). After that album, he continued making composite albums with other musicians that were based on his music and singers' lyrics.
He made an album with George Dalaras in 1999 named Thessaloniki – Yannena with Two Canvas Shoes. In the same year, Bregović recorded an album called Kayah i Bregović (Kayah and Bregović) with popular Polish singer Kayah which sold over 700,000 copies in Poland (seven times platinum record).
In 2001, he recorded another album with another Polish singer, Krzysztof Krawczyk, titled "Daj mi drugie życie" ("Give Me Second Life").
In 2005, Bregović took part in three large farewell concerts of Bijelo Dugme.
A number of works created by Bregović can be heard on the soundtrack to the 2006 film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, most notably "Đurđevdan." The film itself actually features more Bregović samples than the soundtrack. Two musical numbers by Bregović, "Ne Siam Kurve Tuke Sijam Prostitutke," and "Gas, Gas" were featured in the soundtrack of the 2012 Brazilian novela, Salve Jorge, on the television network Rede Globo
On 12 June 2008, Bregović injured his spine, falling from a tree. He fell four meters from a cherry tree in the garden of his home in Senjak, a Belgrade district, breaking vertebrae. However, according to the doctors, his condition was "stable without neurological complications." After surgery, he made a quick recovery and on 8 July and 9 July, he held two big concerts in New York City, where for more than two hours each night, he proved his performance skills had not suffered from the accident.
Bregović prefers to avoid delving into politics. In 2009, he said, "Yugoslavia is the intersection of so many worlds: Orthodox, Catholic, Muslim. With music, I don't have to represent anyone, except myself -- because I speak the first language of the world, the one everyone understands: music." In March 2015, Bregović performed in a concert in Crimea, which was annexed by Russia the previous year. The following month, the Life Festival in Oświęcim, Poland cancelled an appearance by Bregović, saying that his statements were "contrary to the values cherished by the Life Festival founders."
